and I may need to consolidate at some point, but for right now, I’ll connect you to both of them.
My polymer clay business is now housed on ECB Designs.
And my professional portfolio is now on Eli Collins-Brown, Ed.D.
Layering techniques for polymer clay bring a whole new dimension to polymer jewelry design and this artist has found a way to layer stencils to create a gorgeously fun look for her designs.
Lorraine Vogel posted a free tutorial on how to use stencils to create this look (I love it when artists share!). The post is on StencilGirlTalk‘s site, so you can purchase the products she used right there! Aren’t these Gorgeous!
This makes me want to get to my clay table right now! Hum, a good project for this week-end and for the 2017 PCChallenge (of which I’m 2 weeks behind, yikes!)
I have not been working at a ‘full-time’ job for a little over 7 months now. It’s been amazing, wonderful, inspiring, and restful. But still needing to live in reality, I just accepted a full-time position in my profession of faculty development.
In my ‘off’ time, I launched my online polymer jewelry store – ECB Designs – December 1st and actually sold a few items!
I’m also pursuing a certificate in Social Media Marketing at Northwestern University through a series of Coursera MOOCs. So part of my launch is also learning how to reach my target market through social marketing.
One thing I know for sure is that I don’t want to lose my momentum with ECB Designs. Creating polymer jewelry is one expression of my creative self that I find hugely fulfilling and ultimately a great destresser!
So how am I going to keep moving forward in starting this business while working full-time? Well I did what we all do and Googled it. Here’s what I found.
One of the top hits is Ryan Robinson’s 10 Steps to Start a Business While Working a Full-time Job
He has 10 great steps but the first two are the ones I want to focus on because it’s about time.
Step 1: Mental Preparation
These are particularly pertinent to my situation because I’m a joiner! I love to get involved with everything (almost)! Book clubs, clay clubs, benefit causes, professional organizations, etc.
And I still operate under the perception that there are more that 24 hours in a day
AND (this is a biggie) I like my sleep! I NEED my sleep! I’m not good to be around if I don’t get my sleep!
So what to do:
Here’s the link to Ryan’s Infographic for the other 8 steps.
I will begin my new job in a few weeks. So I’m going to work through these two steps as I acclimate to the new position, new institution, and new town. So stayed tuned for the next installment of this story and more excellent finds on How to Start a Business While Working Full-time!
I just love the movement of this necklace. I needed to make a necklace to go with a black and red outfit so I used Linda Moseley’s controlled marbling technique to get a skinner blend with mostly red. So here’s my process and the final result.
The first step I took was to take some scrap clay and make the shape to get some practice and to see the result of the shape.
Then I used Linda Moseley’s controlled marbling technique to create a skinner blend with more red, less black and a bit of silver. I ended up using three silver parts instead of two. I’m glad I did as I like the end result.
Here is how I stacked the discs and my first blend.
I blended a bit further than Linda’s recommendation because I wanted more blur between colors. I made sure that the blend was the same on both sides, since both sides are visible with this shape.
I made the first cut. I did not use plastic to bevel the edges because I wanted sharp edges. Same with the second cut.
I finished shaping the cut and then made the fold. Helen includes very detailed pictures in her tutorials, so the result is perfect!
I would have liked a bit more black on the arms but that’s how we improve our art, correct? Next time I will use one more black disc and one less red. Maybe a bit more silver, but I’m pretty pleased with the outcome.
I cured it along with a couple of beads I made to add to the necklace.
I found out that when you put buna cord in the oven, it shrinks and becomes wider. So one of the cords is wider, but it actually adds to the aesthetic of the piece. I also cut 1/4″ strips of the blend and shaped into matching earrings. I’m very pleased with the end result.
And with the outfit!
ECB Designs – www.elicbrowndesign.com
I love working with Helen Breil‘s Shapes pendants.
She has a marvelous eye for design and color and I can only hope to get close to her talent. This week I made a necklace to go with a new pantsuit for a job interview. I made a similar one last month that sold quickly. This time I used a different pattern but the same colors. It looked ‘marvelous, dawling!’ and boosted my confidence for the interview!
My plan for Week 3 is to work with another shape. I need to make something to go with a red and black outfit.
I would highly recommend her tutorials. classes and ebooks. She is an exceptional instructor, providing tips and tricks that others skip over. Here is a link to the Shapes: 25 Inspirational Jewellery Designs in Polymer Clay ebook.
Elihino – the Cherokee earth mother
My challenge finished piece for Week 1! One of my first pieces in polymer was a goddess, so it is fitting that this new goddess be my first piece for 2017.
Will be uploading this to my online store: https://www.elicbrowndesign.com/
I don’t make resolutions. To me it’s just setting yourself up for failure, so instead I write intentions:
Here we go!
Drawing on Polymer Clay
As a polymer clay artist, have you ever experienced fading or bleeding ink on your polymer designs? I have started including hand-drawn designs on my polymer pieces so I found two articles highlighting the results of different experiments with using ink to draw on polymer clay, including how to seal and finish the pieces.
Rebecca Watkins, @artybecca, in her post Transfer, Paint, Ink on Polymer – http://artybecca.blogspot.com/, shares her results with liquid clay, toner transfers, colored pencils, inks, and paint pens. She seals each added surface technique with a thin coat of liquid polymer clay (LPC), starting with a tonal transfer she created in Illustrator. She adds lines with oil paint pens and upon experience EPD (the dreaded early pen death!), discovered Sharpie ultra-fine oil paint pens. She also used InkJoy by Papermate to shade her designs, but found that a couple of colors bled when she sealed with LPC, so she ended up drawing the lines again on top of the last sealing layer.
A few years back, Ginger Davis Allman experimented with a variety of pens on two different types of polymer clay, Premo and Kato, in Which Pen to Use on Polymer Clay. She added two other variables to the experiment, wiping the ink with a water soaked paper towel and an alcohol soaked paper towel. She documents her results with great photos. Her final recommendations are Sakura Microperm, PITT Artist Markers, and Montana Acrylic Paint Markers, but not Sharpie.
The thing to remember is that companies change their products all the time. So the new Sharpie oil based paint pens are a different formula than Sharpie Markers or the markers Ginger tested in 2009. So here are my three recommendations based on these two great posts:
Eli Collins-Brown of ECB Designs, has been playing with polymer clay since 2009. Intrigued by the colors and endless possibilities of the medium, she focuses on wearable art and unique pieces of jewelry. Wearable art includes polymer, wire wrap and fiber work. Contact: firstname.lastname@example.org
I am using this blog to post information, discoveries, articles of interest and my own work process and results. Posts will be about my work in higher education and also as a polymer artist.
I moved my ePortfolio to my new site, www.elicollinsbrown.com and installed WordPress on this site so I could blog. I’m going to be blogging about all of my interests:
I’ll connect to my Twitter account @elibrown, and also my Pinterest account – elicbrown